(See English below)
Freuen Sie sich mit uns auf den 12. Feburar! Niklas Leverenz wird im Rahmen unserer CrossAsia Talks ab 18 Uhr zum Thema “Resurfaced in our collection: The Lithographs of the East-Turkestan Engravings (Shanghai, 1891), originally printed in Paris between 1767 and 1774” referieren. Der Onlinevortrag behandelt ein kürzlich in der Sammlung der Staatsbibliothek wiederentdecktes Set photolithographischer Reproduktionen der ursprünglich in Paris angefertigten Schlachtenkupfer.
Reproductions of the famous East Turkestan engravings made in Paris around 1770 were printed in Shanghai in 1891 using the then new technology of photolithography. About twenty sets of these prints seem to exist, but very little is known about them.
The collection of the Staatsbibliothek zu Berlin owns one set of these unique prints which it acquired in 1965. The set was misplaced but could just recently be reallocated with the help of an article published by the speaker of this session, Niklas Leverenz, in the latest issue of the journal Orientations.
In this session, Niklas Leverenz will explain the historic background of the East Turkestan campaign in 1755-1760 which resulted in the subjugation of large territories in Central Asia that include much of the present-day Xinjiang Uyghur Autonomous Region. To celebrate his victory, the Qianlong emperor (r. 1735-1796) commissioned numerous artefacts, including sixteen monumental battle paintings, each measuring approximately four by eight metres. They were hung on the walls of the Ziguangge (Hall of Imperial Splendour) in the gardens to the west of the Forbidden City in Beijing.
Four Jesuit missionary painters working at the Qing court at the time drew reduced versions of these monumental battle paintings measuring c. 60 by 90 centimetres. These were to serve as model drawings for engravings to be made in France. The production of the sixteen conquest engravings in Paris between 1767 and 1774 attracted much public attention. One of these sets is known to have been in the Jesuit orphanage in Tushanwan, in the historically Catholic district of Shanghai, part of the area also called Xujiahui or Zikawei. This set was presumably the model for the photolithographic copies made by the German photographer Herman Salzwedel (active c. 1877–1904) in 1890.
The introduction of lithography in Shanghai in the late nineteenth century led to an increasing demand for images. From 1884 on the illustrated newspaper Dianshizhai Pictorial was published three times a month, successfully reproducing battle scenes from i.e. the Sino-French War. In this situation the Salzwedel print project was conceived.
Die Vortragssprache ist Englisch. Bei Fragen kontaktieren Sie uns unter: ostasienabt@sbb.spk-berlin.de.
Der Vortrag wird via Webex gestreamt*. Sie können am Vortrag über Ihren Browser ohne Installation einer Software teilnehmen. Klicken Sie dazu unten auf „Zum Vortrag“, folgen dem Link „Über Browser teilnehmen“ und geben Ihren Namen ein.
Alle bislang angekündigten Vorträge finden Sie hier. Die weiteren Termine kündigen wir in unserem Blog und auf unserem X-Account, Mastodon und BlueSky an.
—
On 12 February at 6 p.m., we look forward to an online lecture by Niklas Leverenz on the topic ‘Resurfaced in our collection: The Lithographs of the East-Turkestan Engravings (Shanghai, 1891), originally printed in Paris between 1767 and 1774’. The lecture will focus on a recently rediscovered set of photolithographic reproductions from the State Library’s collection, which were produced in Shanghai in 1891 based on Parisian copperplate engravings of the Qianlong conquest campaigns.
Reproductions of the famous East Turkestan engravings made in Paris around 1770 were printed in Shanghai in 1891 using the then new technology of photolithography. About twenty sets of these prints seem to exist, but very little is known about them.
The collection of the Staatsbibliothek zu Berlin owns one set of these unique prints which it acquired in 1965. The set was misplaced but could just recently be reallocated with the help of an article published by the speaker of this session, Niklas Leverenz, in the latest issue of the journal Orientations.
In this session, Niklas Leverenz will explain the historic background of the East Turkestan campaign in 1755-1760 which resulted in the subjugation of large territories in Central Asia that include much of the present-day Xinjiang Uyghur Autonomous Region. To celebrate his victory, the Qianlong emperor (r. 1735-1796) commissioned numerous artefacts, including sixteen monumental battle paintings, each measuring approximately four by eight metres. They were hung on the walls of the Ziguangge (Hall of Imperial Splendour) in the gardens to the west of the Forbidden City in Beijing.
Four Jesuit missionary painters working at the Qing court at the time drew reduced versions of these monumental battle paintings measuring c. 60 by 90 centimetres. These were to serve as model drawings for engravings to be made in France. The production of the sixteen conquest engravings in Paris between 1767 and 1774 attracted much public attention. One of these sets is known to have been in the Jesuit orphanage in Tushanwan, in the historically Catholic district of Shanghai, part of the area also called Xujiahui or Zikawei. This set was presumably the model for the photolithographic copies made by the German photographer Herman Salzwedel (active c. 1877–1904) in 1890.
The introduction of lithography in Shanghai in the late nineteenth century led to an increasing demand for images. From 1884 on the illustrated newspaper Dianshizhai Pictorial was published three times a month, successfully reproducing battle scenes from i.e. the Sino-French War. In this situation the Salzwedel print project was conceived.
The lecture will be held in English. If you have any questions, please contact us: ostasienabt@sbb.spk-berlin.de.
The lecture will be streamed via Webex*. You can take part in the lecture using your browser without having to install a special software. Please click on the respective button “To the lecture” below, follow the link “join via browser” (“über Browser teilnehmen”), and enter your name.
You can find all previously announced lectures here. We will announce further dates in our blog and on X, Mastodon and BlueSky.
*Mit Ihrer Teilnahme an der Veranstaltung räumen Sie der Stiftung Preußischer Kulturbesitz und ihren nachgeordneten Einrichtungen kostenlos alle Nutzungsrechte an den Bildern/Videos ein, die während der Veranstaltung von Ihnen angefertigt wurden. Dies schließt auch die kommerzielle Nutzung ein. Diese Einverständniserklärung gilt räumlich und zeitlich unbeschränkt und für die Nutzung in allen Medien, sowohl für analoge als auch für digitale Verwendungen. Sie umfasst auch die Bildbearbeitung sowie die Verwendung der Bilder für Montagen. / By participating, you grant the Stiftung Preußischer Kulturbesitz and its subordinate institutions free of charge all rights of usage of pictures and videos taken of you during this lecture presentation. This declaration of consent is valid in terms of time and space without restrictions and for usage in all media, including analogue and digital usage. It includes image processing and the usage of photos in composite illustrations. German law will apply.
CrossAsia Talks: Huiyi Wu, Mackenzie Cooley, Shih-Pei Chen 4. Dezember 2025
/in Aktuelles, Veranstaltungen, Vortragsreihe "CrossAsia Talks"/by CrossAsia(See English below)
Zum Jahresabschluss der CrossAsia Talks am 4. Dezember ab 18 Uhr geben Mackenzie Cooley (Hamilton College, USA), Huiyi Wu (Centre Alexandre Koyré, Frankreich), and Shih-Pei Chen (Max-Planck-Institut für Wissenschaftsgeschichte, Berlin) in ihrem Onlinevortrag “Knowing an Empire: Early Modern Chinese and Spanish Worlds in Dialogue” einen Einblick in den gleichnamigen Sammelband.
This collective book, edited by Cooley and Wu, brings leading scholars across Latin American and Asian Studies to write about how two early modern, vast empires – the Spanish and the Chinbese, despite being, separated by thousands of miles, developed comparable systems to gather, order, and write knowledge about their local worlds. Through a new methodology of “juxtapositional comparison,” this book reads the difangzhi 地方志 (local gazetteers) of China and the relaciones geográficas of the Spanish world in parallel. Knowing an Empire does not see the conveyance of information across an empire as a top-down process with an active center as a knowledge-maker. Instead, it amplifies a blend of voices that speak as much to imperial bureaucracy as to the rich local and Indigenous cultures, revealing these two early modern empires as diverse polities whose equilibria were constantly rebalanced among local powers.
This talk will also give glimpses into some of the book chapters to demonstrate how the juxtapositional comparison is done.
Die Vortragssprache ist Englisch. Bei Fragen kontaktieren Sie uns unter: ostasienabt@sbb.spk-berlin.de.
Der Vortrag wird via Webex gestreamt*. Sie können am Vortrag über Ihren Browser ohne Installation einer Software teilnehmen. Klicken Sie dazu unten auf „Zum Vortrag“, folgen dem Link „Über Browser teilnehmen“ und geben Ihren Namen ein.
Alle bislang angekündigten Vorträge finden Sie hier. Die weiteren Termine kündigen wir in unserem Blog und auf unserem X-Account, Mastodon und BlueSky an.
—
To mark the year-end conclusion of the CrossAsia Talks on December 4, at 6 p.m., Mackenzie Cooley (Hamilton College, USA), Huiyi Wu (Centre Alexandre Koyré, France), and Shih-Pei Chen (Max Planck Institute for the History of Science, Berlin) will give in their online lecture entitled “Knowing an Empire: Early Modern Chinese and Spanish Worlds in Dialogue” and share insights into their recent publication of the same title.
This collective book, edited by Cooley and Wu, brings leading scholars across Latin American and Asian Studies to write about how two early modern, vast empires – the Spanish and the Chinbese, despite being, separated by thousands of miles, developed comparable systems to gather, order, and write knowledge about their local worlds. Through a new methodology of “juxtapositional comparison,” this book reads the difangzhi 地方志 (local gazetteers) of China and the relaciones geográficas of the Spanish world in parallel. Knowing an Empire does not see the conveyance of information across an empire as a top-down process with an active center as a knowledge-maker. Instead, it amplifies a blend of voices that speak as much to imperial bureaucracy as to the rich local and Indigenous cultures, revealing these two early modern empires as diverse polities whose equilibria were constantly rebalanced among local powers.
This talk will also give glimpses into some of the book chapters to demonstrate how the juxtapositional comparison is done.
The lecture will be held in English. If you have any questions, please contact us: ostasienabt@sbb.spk-berlin.de.
The lecture will be streamed via Webex*. You can take part in the lecture using your browser without having to install a special software. Please click on the respective button “To the lecture” below, follow the link “join via browser” (“über Browser teilnehmen”), and enter your name.
You can find all previously announced lectures here. We will announce further dates in our blog and on X, Mastodon and BlueSky.
*Mit Ihrer Teilnahme an der Veranstaltung räumen Sie der Stiftung Preußischer Kulturbesitz und ihren nachgeordneten Einrichtungen kostenlos alle Nutzungsrechte an den Bildern/Videos ein, die während der Veranstaltung von Ihnen angefertigt wurden. Dies schließt auch die kommerzielle Nutzung ein. Diese Einverständniserklärung gilt räumlich und zeitlich unbeschränkt und für die Nutzung in allen Medien, sowohl für analoge als auch für digitale Verwendungen. Sie umfasst auch die Bildbearbeitung sowie die Verwendung der Bilder für Montagen. / By participating, you grant the Stiftung Preußischer Kulturbesitz and its subordinate institutions free of charge all rights of usage of pictures and videos taken of you during this lecture presentation. This declaration of consent is valid in terms of time and space without restrictions and for usage in all media, including analogue and digital usage. It includes image processing and the usage of photos in composite illustrations. German law will apply.
CrossAsia Repository: Anmeldungsprobleme
/in Aktuelles, E-Publishing, Services/by CrossAsiaLiebe Nutzer:innen,
es kommt derzeit zu Problemen bei der Anmeldung im CrossAsia Repository. Wir arbeiten an der Behebung des technischen Fehlers und melden uns wieder bei Ihnen sobald er behoben ist.
Dear users,
We are currently facing issues with logging into the CrossAsia Repository. We are working to resolve the technical error and will get back to you as soon as it has been fixed.
CrossAsia Talks: Niklas Leverenz 12. Februar 2026
/in Veranstaltungen, Vortragsreihe "CrossAsia Talks"/by CrossAsia(See English below)
Freuen Sie sich mit uns auf den 12. Feburar! Niklas Leverenz wird im Rahmen unserer CrossAsia Talks ab 18 Uhr zum Thema “Resurfaced in our collection: The Lithographs of the East-Turkestan Engravings (Shanghai, 1891), originally printed in Paris between 1767 and 1774” referieren. Der Onlinevortrag behandelt ein kürzlich in der Sammlung der Staatsbibliothek wiederentdecktes Set photolithographischer Reproduktionen der ursprünglich in Paris angefertigten Schlachtenkupfer.
Reproductions of the famous East Turkestan engravings made in Paris around 1770 were printed in Shanghai in 1891 using the then new technology of photolithography. About twenty sets of these prints seem to exist, but very little is known about them.
The collection of the Staatsbibliothek zu Berlin owns one set of these unique prints which it acquired in 1965. The set was misplaced but could just recently be reallocated with the help of an article published by the speaker of this session, Niklas Leverenz, in the latest issue of the journal Orientations.
In this session, Niklas Leverenz will explain the historic background of the East Turkestan campaign in 1755-1760 which resulted in the subjugation of large territories in Central Asia that include much of the present-day Xinjiang Uyghur Autonomous Region. To celebrate his victory, the Qianlong emperor (r. 1735-1796) commissioned numerous artefacts, including sixteen monumental battle paintings, each measuring approximately four by eight metres. They were hung on the walls of the Ziguangge (Hall of Imperial Splendour) in the gardens to the west of the Forbidden City in Beijing.
Four Jesuit missionary painters working at the Qing court at the time drew reduced versions of these monumental battle paintings measuring c. 60 by 90 centimetres. These were to serve as model drawings for engravings to be made in France. The production of the sixteen conquest engravings in Paris between 1767 and 1774 attracted much public attention. One of these sets is known to have been in the Jesuit orphanage in Tushanwan, in the historically Catholic district of Shanghai, part of the area also called Xujiahui or Zikawei. This set was presumably the model for the photolithographic copies made by the German photographer Herman Salzwedel (active c. 1877–1904) in 1890.
The introduction of lithography in Shanghai in the late nineteenth century led to an increasing demand for images. From 1884 on the illustrated newspaper Dianshizhai Pictorial was published three times a month, successfully reproducing battle scenes from i.e. the Sino-French War. In this situation the Salzwedel print project was conceived.
Die Vortragssprache ist Englisch. Bei Fragen kontaktieren Sie uns unter: ostasienabt@sbb.spk-berlin.de.
Der Vortrag wird via Webex gestreamt*. Sie können am Vortrag über Ihren Browser ohne Installation einer Software teilnehmen. Klicken Sie dazu unten auf „Zum Vortrag“, folgen dem Link „Über Browser teilnehmen“ und geben Ihren Namen ein.
Alle bislang angekündigten Vorträge finden Sie hier. Die weiteren Termine kündigen wir in unserem Blog und auf unserem X-Account, Mastodon und BlueSky an.
—
On 12 February at 6 p.m., we look forward to an online lecture by Niklas Leverenz on the topic ‘Resurfaced in our collection: The Lithographs of the East-Turkestan Engravings (Shanghai, 1891), originally printed in Paris between 1767 and 1774’. The lecture will focus on a recently rediscovered set of photolithographic reproductions from the State Library’s collection, which were produced in Shanghai in 1891 based on Parisian copperplate engravings of the Qianlong conquest campaigns.
Reproductions of the famous East Turkestan engravings made in Paris around 1770 were printed in Shanghai in 1891 using the then new technology of photolithography. About twenty sets of these prints seem to exist, but very little is known about them.
The collection of the Staatsbibliothek zu Berlin owns one set of these unique prints which it acquired in 1965. The set was misplaced but could just recently be reallocated with the help of an article published by the speaker of this session, Niklas Leverenz, in the latest issue of the journal Orientations.
In this session, Niklas Leverenz will explain the historic background of the East Turkestan campaign in 1755-1760 which resulted in the subjugation of large territories in Central Asia that include much of the present-day Xinjiang Uyghur Autonomous Region. To celebrate his victory, the Qianlong emperor (r. 1735-1796) commissioned numerous artefacts, including sixteen monumental battle paintings, each measuring approximately four by eight metres. They were hung on the walls of the Ziguangge (Hall of Imperial Splendour) in the gardens to the west of the Forbidden City in Beijing.
Four Jesuit missionary painters working at the Qing court at the time drew reduced versions of these monumental battle paintings measuring c. 60 by 90 centimetres. These were to serve as model drawings for engravings to be made in France. The production of the sixteen conquest engravings in Paris between 1767 and 1774 attracted much public attention. One of these sets is known to have been in the Jesuit orphanage in Tushanwan, in the historically Catholic district of Shanghai, part of the area also called Xujiahui or Zikawei. This set was presumably the model for the photolithographic copies made by the German photographer Herman Salzwedel (active c. 1877–1904) in 1890.
The introduction of lithography in Shanghai in the late nineteenth century led to an increasing demand for images. From 1884 on the illustrated newspaper Dianshizhai Pictorial was published three times a month, successfully reproducing battle scenes from i.e. the Sino-French War. In this situation the Salzwedel print project was conceived.
The lecture will be held in English. If you have any questions, please contact us: ostasienabt@sbb.spk-berlin.de.
The lecture will be streamed via Webex*. You can take part in the lecture using your browser without having to install a special software. Please click on the respective button “To the lecture” below, follow the link “join via browser” (“über Browser teilnehmen”), and enter your name.
You can find all previously announced lectures here. We will announce further dates in our blog and on X, Mastodon and BlueSky.
*Mit Ihrer Teilnahme an der Veranstaltung räumen Sie der Stiftung Preußischer Kulturbesitz und ihren nachgeordneten Einrichtungen kostenlos alle Nutzungsrechte an den Bildern/Videos ein, die während der Veranstaltung von Ihnen angefertigt wurden. Dies schließt auch die kommerzielle Nutzung ein. Diese Einverständniserklärung gilt räumlich und zeitlich unbeschränkt und für die Nutzung in allen Medien, sowohl für analoge als auch für digitale Verwendungen. Sie umfasst auch die Bildbearbeitung sowie die Verwendung der Bilder für Montagen. / By participating, you grant the Stiftung Preußischer Kulturbesitz and its subordinate institutions free of charge all rights of usage of pictures and videos taken of you during this lecture presentation. This declaration of consent is valid in terms of time and space without restrictions and for usage in all media, including analogue and digital usage. It includes image processing and the usage of photos in composite illustrations. German law will apply.
Nutzendenvertretung beim CrossAsia Fachbeiratstreffen gesucht
/in Aktuelles, Fachinformationsdienst/by CrossAsiaLiebe Nutzer:innen,
wir suchen eine Nutzendenvertretung für das Fachbeiratstreffen des Fachinformationsdienstes (FID) Asien am 23. Januar 2026 in Berlin. In dieser Funktion haben Sie die Chance, die strategische Entwicklung des FID Asien und seiner Angebote mitzugestalten. Ihre Aufgabe wäre es wichtige Standpunkte der Community zu vertreten.
Wenn Sie Interesse haben, als Nutzendenvertretung zu fungieren, dann melden Sie sich gerne bei uns bis zum 15. Dezember mit einem Kurzlebenslauf (max. 150 Wörter) unter Angabe Ihres regionalen Schwerpunkts. Aus allen Bewerbungen wählen wir zwei Personen aus, die die Nutzendenperspektive während des Fachbeirates vertreten werden. Der FID Asien übernimmt die Kosten für An- und Abreise sowie eine Übernachtung in Berlin. Näheres über den FID Asien sowie dessen Fachbeirat erfahren Sie hier.
Sollten Sie Fragen haben, dann schreiben Sie uns gern eine E-Mail unter: x-asia@sbb.spk-berlin.de.
***
Dear users,
We are looking for a user representative for the Specialist Information Service (german: Fachinformationsdienst (FID)) Asia advisory board meeting on 23 January 2026 in Berlin. In this role, you will have the opportunity to help shape the strategic development of FID Asia and its services. Your task would be to represent important points of view from the community.
If you are interested in acting as a user representative, please contact us by 15 December with a short CV (max. 150 words) stating your regional focus. From all applications, we will select two people to represent the user perspective during the advisory board meeting. The FID Asia will cover the costs of travel to and from Berlin and one night’s accommodation in Berlin. You can find out more about FID Asia and its advisory board here.
If you have any questions, please feel free to send us an email at: x-asia@sbb.spk-berlin.de.
01.-02.12.2025: Wartungsarbeiten am CrossAsia Forum
/in Aktuelles, Services/by Tristan HinkelAm 01. und 02.12.2025 finden Wartungsarbeiten am CrossAsia Forum statt. In dieser Zeit können nur Beiträge gelesen, aber keine neuen erstellt werden.
Maintenance work will be carried out on the CrossAsia Forum on December 1 and 2, 2025. During this time, posts can only be read, but no new ones can be created.
New Database Trial – MKS eBook
/in Aktuelle Testzugänge, Aktuelles, Datenbanken/by CrossAsiaDear CrossAsia users,
We are pleased to announce that we have secured trial access to Media Korean Studies eBook (http://erf.sbb.spk-berlin.de/han/korean-studies-mks-ebooks/), an e-book platform featuring Korean Studies titles published by Kyungin Publishing with a strong focus on the humanities.
All CrossAsia users now have full access to the MKS eBook platform until December 31, 2025.
Please note that, in addition to accessing MKS through CrossAsia, the platform also requires you to create an individual user account. To set up your account for the first time, simply follow the steps below:
1. Access MKS through CrossAsia: http://erf.sbb.spk-berlin.de/han/korean-studies-mks-ebooks/.
2. Click the “user icon” in the upper right corner and start creating your personal account.
3. Click on “Switch to Institutional Member” and sign up for your account.
4. Complete the registration for your individual account.
5. After verifying your account via the provided email address, open your account settings and register your account as an institutional member.
Once these steps are completed, you will have full access to all titles on the MKS eBook platform during the trial period.
After your account has been verified as an institutional member (a CrossAsia member) at MKS, you can access the platform directly with your own account — without logging in via CrossAsia — for up to 90 days.
We strongly encourage you to explore the resources during the trial period (before December 31) and welcome any feedback or comments you may have. Your input will support our evaluation of a potential future subscription.
Yours,
CrossAsia Team
CrossAsia Talks: Joan Judge 20.11.2025
/in Aktuelles, Veranstaltungen, Vortragsreihe "CrossAsia Talks"/by CrossAsia(See English below)
Am 20. November 2025 ab 18 Uhr wird Prof. Joan Judge (York University) in einem Onlinevortrag mit dem Titel “New Conceptions: Modes of Knowing in Chinese Encyclopedias for Everyday Life” neue Perspektiven auf die alltägliche Nutzung medizinischer Praktiken im vormodernen China präsentieren. Neben gedruckten Materialien werden auch Handschriften aus der Sammlung Unschuld berücksichtigt.
Scholars have debated the epistemic status of the Comprehensive Compendia of Myriad Treasures (wanbao quanshu 萬寶全書), a genre of daily-use texts widely reproduced in China from the sixteenth through the early twentieth centuries. This presentation seeks to deepen our understanding of both the content and the potential readership for these texts in the late imperial and Republican Chinese contexts. It does so by engaging in a close and contextualized examination of one section of the compendia that remained remarkably stable over the course of this period, the section on “Pregnancy” (Zhongzi men 種子門).
I first probe the sources for this section in an effort to determine the register of knowledge that it reproduced. This requires unraveling a complex amalgam of what could be characterized as works on bedchamber arts on the one hand, and scholarly medical treatises on the other. I then examine the different components of the section: its crude illustrations and mnemonic verses which both describe the development of the embryo, together with numerical calculations for determining the health and sex of the fetus, and recipes for managing the various ailments that might afflict the gestating woman.
Throughout this analysis, I use intratextual methods to attempt to determine who the potential users of the text might have been: who, for example, would have been best served by the illustrations, the poems, the recipes, or a combination of them. I will also use intertextual methods to search for the audience for the “Zhongzi men.” Here I will examine a hand-written gynecological manuscript from the Unschuld Collection that copied the contents of the section almost verbatim. This manuscript offers some sense of who read and valued the material on “Gestation” in the myriad treasures enough to use it as an authoritative source.
Die Vortragssprache ist Englisch. Bei Fragen kontaktieren Sie uns unter: ostasienabt@sbb.spk-berlin.de.
Der Vortrag wird via Webex gestreamt. Sie können am Vortrag über Ihren Browser ohne Installation einer Software teilnehmen. Klicken Sie dazu unten auf „Zum Vortrag“, folgen dem Link „Über Browser teilnehmen“ und geben Ihren Namen ein.
Alle bislang angekündigten Vorträge finden Sie hier. Die weiteren Termine kündigen wir in unserem Blog und auf unserem X-Account, Mastodon und BlueSky an.
—
On 20 November 2025 from 6 pm, Prof. Joan Judge (York University) will present an online lecture entitled ‘New Conceptions: Modes of Knowing in Chinese Encyclopedias for Everyday Life’ providing new perspectives on the everyday medical practices in pre-modern China. Besides printed materials manuscripts from the Unschuld Collection will also be considered.
Scholars have debated the epistemic status of the Comprehensive Compendia of Myriad Treasures (Wanbao quanshu 萬寶全書), a genre of daily-use texts widely reproduced in China from the sixteenth through the early twentieth centuries. This presentation seeks to deepen our understanding of both the content and the potential readership for these texts in the late imperial and Republican Chinese contexts. It does so by engaging in a close and contextualized examination of one section of the compendia that remained remarkably stable over the course of this period, the section on “Pregnancy” (Zhongzi men 種子門).
I first probe the sources for this section in an effort to determine the register of knowledge that it reproduced. This requires unraveling a complex amalgam of what could be characterized as works on bedchamber arts on the one hand, and scholarly medical treatises on the other. I then examine the different components of the section: its crude illustrations and mnemonic verses which both describe the development of the embryo, together with numerical calculations for determining the health and sex of the fetus, and recipes for managing the various ailments that might afflict the gestating woman.
Throughout this analysis, I use intratextual methods to attempt to determine who the potential users of the text might have been: who, for example, would have been best served by the illustrations, the poems, the recipes, or a combination of them. I will also use intertextual methods to search for the audience for the “Zhongzi men.” Here I will examine a hand-written gynecological manuscript from the Unschuld Collection that copied the contents of the section almost verbatim. This manuscript offers some sense of who read and valued the material on “Gestation” in the myriad treasures enough to use it as an authoritative source.
The lecture will be held in English. If you have any questions, please contact us: ostasienabt@sbb.spk-berlin.de.
The lecture will also be streamed via Webex. You can take part in the lecture using your browser without having to install a special software. Please click on the respective button “To the lecture” below, follow the link “join via browser” (“über Browser teilnehmen”), and enter your name.
You can find all previously announced lectures here. We will announce further dates in our blog and on X, Mastodon and BlueSky.
Abgesagt! Di, 18.11.25: Keine Wartung des Repositorys
/in Aktuelles, Services/by Tristan HinkelUpdate: Am Dienstag 18.11.2025 werden keine Wartungsarbeiten am Server des CrossAsia Open Access Repositorys stattfinden.
Abgeschlossen: Do, 13.11.25: Wartung des Repositorys
/in Aktuelles, Services/by Ursula FlacheUpdate am 13.11.25 um 19.30 Uhr: Die Wartungsarbeiten sind beendet.
*******************************
Am Donnerstag 13.11.2025 sind ab 15.00 Uhr Wartungsarbeiten am Server des CrossAsia Open Access Repositorys geplant und es wird zu Auszeiten kommen. Bitte geben Sie deshalb keine Daten im Repository ein. Wir melden es, wenn die Arbeit abgeschlossen ist.
CrossAsia Talks: Martin Weiser 26.03.2026
/in Veranstaltungen, Vortragsreihe "CrossAsia Talks"/by CrossAsia(See English below)
Wir laden Sie herzlich ein zum Onlinevortrag “Closing in on the Unknown: Measuring DPRK/North Korea’s publication output traced through library holdings, ISBN and the domestic registration number” am 26. März 2026 ab 18 Uhr. Martin Weiser (FU Berlin) wird der Frage nachgehen, wie sich die Publikationslandschaft Nordkoreas durch die systematische Auswertung von Bibliotheksbeständen, ISBNs und bislang unerschlossenen im Land vergebenen Registrierungsnummern erfassen lässt.
Comparatively little is known about the DPRK, and its print publications remain a key source for academics. But little to no tools exist to deal with the limited but nonetheless overwhelming number of publications we now have access to and the diverse information they contain. This presentation will look at one particular kind of information those publications provide: changes in the country’s publication output. It begins with a comparison of library holdings in Seoul and the USA with the Staatsbibliothek zu Berlin, and then decodes information included in ISBN assignments and the domestic registration numbering gathered from several thousand print publications to provide new insights into changes in publication output. The domestic numbering was not decoded before neither by scholars nor librarians, although it provides minute insights into yearly outputs divided by field as well as the delay between registration and eventual publishing. These three measures are then combined to give a fuller view of the DPRK publishing scene and developments which the traditional method of merely consulting libraries for available publications would have missed.
Die Vortragssprache ist Englisch. Bei Fragen kontaktieren Sie uns unter: ostasienabt@sbb.spk-berlin.de.
Der Vortrag wird via Webex gestreamt und aufgezeichnet*. Sie können am Vortrag über Ihren Browser ohne Installation einer Software teilnehmen. Klicken Sie dazu unten auf „Zum Vortrag“, folgen dem Link „Über Browser teilnehmen“ und geben Ihren Namen ein.
Alle bislang angekündigten Vorträge finden Sie hier. Die weiteren Termine kündigen wir in unserem Blog und auf unserem X-Account, Mastodon und BlueSky an.
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We cordially invite you to attend the online lecture ‘Closing in on the Unknown: Measuring DPRK/North Korea’s publication output traced through library holdings, ISBN and the domestic registration number’ by Martin Weiser (FU Berlin) on March 26, 2026 at 6 p.m. The speaker will explore how North Korea’s publication landscape can be captured through the systematic evaluation of library holdings, ISBN assignments and previously untapped domestic registration numbers.
Comparatively little is known about the DPRK and its print publications remain a key source for academics. But little to no tools exist to deal with the limited but nonetheless overwhelming number of publications we now have access to and the diverse information they contain. This presentation will look at one particular kind of information those publications provide: changes in the country’s publication output. It begins with a comparison of library holdings in Seoul and the USA with the Staatsbibliothek zu Berlin, and then decodes information included in ISBN assignments and the domestic registration numbering gathered from several thousand print publications to provide new insights into changes in publication output. The domestic numbering was not decoded before neither by scholars nor librarians, although it provides minute insights into yearly outputs divided by field as well as the delay between registration and eventual publishing. These three measures are then combined to give a fuller view of the DPRK publishing scene and developments which the traditional method of merely consulting libraries for available publications would have missed.
The lecture will be held in English. If you have any questions, please contact us: ostasienabt@sbb.spk-berlin.de.
The lecture will be streamed and recorded via Webex*. You can take part in the lecture using your browser without having to install a special software. Please click on the respective button “To the lecture” below, follow the link “join via browser” (“über Browser teilnehmen”), and enter your name.
You can find all previously announced lectures here. We will announce further dates in our blog and on X, Mastodon and BlueSky.
*Mit Ihrer Teilnahme an der Veranstaltung räumen Sie der Stiftung Preußischer Kulturbesitz und ihren nachgeordneten Einrichtungen kostenlos alle Nutzungsrechte an den Bildern/Videos ein, die während der Veranstaltung von Ihnen angefertigt wurden. Dies schließt auch die kommerzielle Nutzung ein. Diese Einverständniserklärung gilt räumlich und zeitlich unbeschränkt und für die Nutzung in allen Medien, sowohl für analoge als auch für digitale Verwendungen. Sie umfasst auch die Bildbearbeitung sowie die Verwendung der Bilder für Montagen. / By participating, you grant the Stiftung Preußischer Kulturbesitz and its subordinate institutions free of charge all rights of usage of pictures and videos taken of you during this lecture presentation. This declaration of consent is valid in terms of time and space without restrictions and for usage in all media, including analogue and digital usage. It includes image processing and the usage of photos in composite illustrations. German law will apply.